lemur linky
  • a-Musik - distrubution of new music Kleiner Griechenmarkt 28-30 50676 Köln FAX +49+221-5107592
    a-music
  • Amoeba is a collective of video artists, filmmakers and experimental musicians who are active in NYC and worldwide. Amoeba is primarily concerned with the transcendence and alteration of ordinary reality and consciousness through the manipulation of sound and light waves. Extensions manifest into the physical realm through the creation of structures and environments reflective of the theories thereof. Amoeba has been engaged in a broad spectrum of activities, including: recording projects, live performances, installations, psychoacoustic research and multimedia productions. Amoeba exists both performing live audiovisuals, producing short videos, films and musical compositions as well as producing and curating events with invited Djs, musicians, installation, multimedia, sound and visual artists in NYC and abroad.
    amoeba technology
  • The Institute of Network Cultures (INC), which was set up in June 2004, caters to research, meetings and (online) initiatives in the area of internet and new media.
    http://www.networkcultures.org
  • cooperative project which is concerned with researching sound vibrations and their resulting composition into new systems
    http://www.auvid.net
  • archive.org contains hours of exciting sounds and music --big sugar victorious is just one of plenty
    big sugar victorious
  • Brandon LaBelle is an artist and writer working with sound and the specifics of location. Through his work with Errant Bodies Press he has co-edited the anthologies “Site of Sound: Of Architecture and the Ear”, “Writing Aloud: The Sonics of Language”, and “Surface Tension: Problematics of Site”. He initiated and curated the Beyond Music series and festivals from 1997 – 2002 at Beyond Baroque Literary/Arts Center in Los Angeles, and in 2001 he organized “Social Music”, a radio series for Kunstradio ORF, Vienna. His installation work has been featured in exhibitions and festivals internationally, including “Sound as Media”(2000) ICC Tokyo, "Bitstreams"(2001) Whitney, “Pleasure of Language”(2002) Netherlands Media Institute, and “Undercover”(2003) Museet for Samtidskunst, Roskilde, and his writings have been included in various books and journals, including “Experimental Sound and Radio” (MIT) and “Soundspace: Architecture for Sound and Vision” (Birkhäuser). He presented a solo exhibition at Singuhr galerie in Berlin (2004), and an experimental composition for pirate drummers as part of Virtual Territories, Nantes (2005). His ongoing project to build a library of radio memories, “Phantom Radio”, will be presented fall 2006 as part of Radio Revolten, Halle Germany. He is the author of “Background Noise” (Continuum 2006).
    errantbodies
  • the center for installation art offers artists the opportunity to share documentation of projects and ideas with those interested in strategies for expanding the definition of art through the creation and exhibition of site-specific, temporary works. the installationart.org website will serve as the online curated space of the center for installation art. proposals are solicited and selections made by an international panel.
    center for installation art
  • an international non-profit center established to foster cultural understanding and tolerance through the arts. "serving the world since 1993"
    cultural station cesta
  • canadian association for electroacoustic and computer music
    concordia
  • online projekt Arthura a Marilouise Krokor
    ctheory
  • Since April, 2001, Diapason, gallery for sound and intermedia has presented a varied program featuring performances and installations. Founded by Michael J. Schumacher and Liz Gerring, it continues the tradition of Studio Five Beekman, offering audiences New York's only venue devoted to sound art. Diapason Gallery for Sound is a program of TonalMotion, Inc a 501(c)3 non-profit corporation. Diapason is supported by The New York State Council on the Arts, The Trust for Mutual Understanding, The Experimental Television Center, Phaedrus Foundation, Kirk Radke, and generous donations from individuals.
    diapason gallery
  • The ElectroAcoustic Resource Site (EARS) project has been established to provide resources for those wishing to conduct research in the area of electroacoustic music studies. EARS will take the form of a structured Internet portal supported by extensive bibliographical tools. To aid the greater understanding of the opportunities offered by these radical forms of sound organisation, as well as their cultural impact, the project will cite (or link directly to) texts, titles, abstracts, images, audio and audio-visual files, and other relevant formats.
    ears
  • Experimental Intermedia, or EI, started in 1993 as an artist initiative presenting experimental intermedia, image and sound installations, performances and concerts. The Gent based artist initiative promotes and supports artists which are actively applying experimental technological media in the contemporary arts field. EI presents works by international visual and sound artists with the intent of enhancing the communication between the various agents involved in the creation and dissemination of intermedia and exposing the international tendencies in the field to as wide an audience as possible.
    experimental intermedia
  • Experimental Intermedia, based in New York City, was founded in 1968 by Elaine Summers to provide organizational support for artists working in intermedia forms. Throughout its history EI has produced more than 1000 events in its New York lofts. EI has also produced many intermedia events in other cities in the U.S. and other countries. EI now produces 20 events each season; manages its compact disc label, XI; develops and implements international projects in collaboration with like-minded organizations in Belgium, The Netherlands, Germany, Portugal and elsewhere. Phill Niblock, Director
    experimental intermedia
  • brněnská podivná hudba a video
    fiume
  • f0AM is an independent, distributed laboratory based on multidisciplinary models of cultural expression, operating on the cusp of research, production, presentation and reflection of creative practice - art as an ongoing participatory process and audience as equal partners f0AM aims to become an 'edge-habitat',- inspiration as research into the aesthetics of 'the potential' working within a network of partner organisations, toward a symbiosis of culture and science, technology and nature...FoAM = re-definition of -exploring evolution and interaction of dynamic systems,- aesthetic experience based on interaction and u n pr edi c t abi lit y expanding public contexts for active participation of all 'players' involved. - creativity as the outcome of the collision of disciplines
    foam
  • The Garden's roots first took hold in the early 90's as a half hour slot via Cable Radio Milton Keynes on a Thursday evening around teatime. Using old valve technology and some dodgy 8 track cartridges the show fed the city of MK a lean diet of scratchy muffins and unpopular music, but after a while the format gradually shape-shifted into the beast it is today. Early sessions and interviews ranged from Radiohead talking about 'OK Computer' & acoustic sets with Beck, Dandy Warhols and erm... Crowded House. As well as angry punks Citizen Fish to Milton Keynes' finest electro deviants Shock Corridor. Original tapes of these shows now command two figure sums on E Bay!
    garden of earthly delights
  • GSA is a resource for sound artists and sound art related projects and has been created to produce and disseminate original recordings by dedicated sound artists, presenting releases of Electronic, Electro-Acoustic, Noise, and Experimental Music. Uncompromising, non-commercial, and definitely not for everyone. These projects are geared towards the discerning and adventurous listener. Generator Sound Art, Inc. is Gen Ken Montgomery, founder of the GENERATOR SOUND ART GALLERY, NYC, (1989-1992) and Scott Konzelmann a.k.a. CHOP SHOP. Percentages of all sales directly benefit the artists, and build a fund to support future sound art projects.
    Generator Sound Art, Inc
  • "Giant Ear" is a monthly, two-hour radio show webcasting recordings of the NYC soundscape, (wo)man-on-the-street public interest interviews, live on-site sound explorations, special guests, and more on free103point9 Online Radio. Please send your field recordings to be played on "Giant Ear)))" to Andrea at lemurz66@yahoo.com or by mail at 154 W. 9th St. #1 Brooklyn, NY 11231. The NY Society for Acoustic Ecology is a New York metropolitan chapter of the American Society for Acoustic Ecology, a membership organization dedicated to exploring the role of sound in natural habitats and human societies, and promoting public dialog concerning the identification, preservation, and restoration of natural and cultural sound environments. It is the hope of the NYSAE to explore and create an ongoing dialog regarding an aural experience that is specific to New York City.
    giant ear online radio
  • Access Space is a pioneering arts project, offering members of the public free access to digital media 11am-7pm, Tuesday-Saturday for 46 weeks per year. Based in the centre of Sheffield, Access Space offers the opportunity and training to build websites and produce and exhibit digital artwork for free. Throughout the time Access Space has been open a broad range of community groups and individuals have participated in our projects, and learned new skills using the software and equipment available to them. The emphasis in the space is on skill-sharing, with the only condition being that participants pursue constructive, creative projects. The project aims to move participants from being web-consumers to becoming web-producers. The project aims to provide participants with the opportunity to work with digital media whatever their background, and whatever their resources. Due to Access Space’s policy of using free, open-source software and donated recycled computers, people can take the skills they learn, and use them outside of Access Space at minimal cost.
    gyoml project
  • robert horvitz home page includes articles on radio
    horvitz
  • This collection of resources, its presentation, indexes, and some of its content: copyright 1992–2005 by Hyperreal and the original creators of its contents, as credited within. All other on-site resources, including virtually hosted domains referenced as being part of the Hyperreal Music Archive: copyright by their original creators and reproduced as part of the Hyperreal Music Archive via negotiated arrangements. Content reproduced from public newsgroups and mailing lists: copyright by their original authors on dates as indicated.
    hyperreal
  • portal on activities realted to live cinema and colour and sound
    impakt
  • site of french composer jerome joy with interesting mp3 archive
    jerome joy
  • justin interesting sound artist / is memeber of bmb com a collective of sound artists from the netherlands
    justin bennet
  • Samizdat Kabantis/Visici film zabyvajici se filmem, poesii, mystikou, tvurcimi projekty etc.. predchudce nyni na nej kontinualne navazujici revui POLE/NOC
    http://www.nostalghia.cz/kabantis
  • Kevin has been playing and recording for over 30 years. He recorded just under 40 records and a lot of CDs so far. Over the years he worked with outstanding musicians and guys from local scenes alike. Died December 2004 in Nuremberg radio program with kevin from 1994 play
    kevin coyne
  • Locus Sonus is a research group specialized in audio art, It is organized as a post graduate course by the Art Schools of Aix-en-Provence (Ecole Superieure d'Art d'Aix-en-Provence) and Nice (Ecole Nationale Superieure d'Art Villa Arson Nice), France. Locus Sonus is co-coordinated by Jerome Joy (professor at ENSA Villa Arson) and Peter Sinclair (professor at ESAA) and accepts a small number of fellows on a yearly basis. This years fellows are: Nicolas Bralet, Esther Salmona and Lydwine Van der Hulst. The personnel of Locus Sonus is completed by a scientific council, several wschools.
    locusonus
  • Locus+ is a visual arts commissioning agency that works with artists on the production and presentation of socially engaged, collaborative and temporary projects, primarily for non-gallery locations. In each project place or context is integral to the meaning of the artwork. To date we have completed over 50 projects touring to a further 25 other venues, produced over 20 publications and 9 artists multiples.
    http://www.locusplus.org.uk
  • LUVeR is a new communication media from Berkley California which combines live streaming, on-demand libraries of programming, audio, and video. LUVeR is an anti-corporate, anti-capitalist revolution! LUVeR is and will remain a non-corporate, d.i.y., totally uncensored, noncommercial, nonprofit internet-only communal collective with 24-hour "live" programming (by amazing people) with "no-limits" content. In short, LUVeR is what THEY told us only a few years ago how the internet would be.
    luver
  • matt heckert is performer, sculptor and sound installation artist: After working for 8 years building machines for performances and producing soundtracks to accompany them, in 1986 I began to experiment with the idea of using the machines themselves to produce some of the sound, then all of the sound. In 1988, I began work on the Mechanical Sound Orchestra.
    matt hackert
  • audiovisual expanded cinema performance
    metamkine
  • britský online časopis/british ec journal
    meta mute
  • Specialists in alternative web broadcasting, this station features plunderphonic experiments and 'found sound' recordings
    minicomm.org
  • information portal for electronic culture in EUROPE
    monoskop
  • This museum reflects the history of TNO Defense, Security and Safety at location Waalsdorp (and its predecessors) since 1927
    museumwaalsdorp
  • negativeland underground collective, Since 1980, the 4 or 5 Floptops known as Negativland have been creating records, fine art, video, books, radio and live performance using appropriated sound, image and text. Mixing original materials and music with things taken from corporately owned mass culture, Negativland re-arranges these bits and pieces to make them say and suggest things that they never intended to. In doing this kind of cultural opposition and "culture jamming" (a term coined by Negativland in 1984), Negativland have been sued twice for copyright infringement. Negativland definitely isn't a "band," though they may look like one when you see their CDs for sale in your local shopping mall. They're more like some sort of goofy yet serious European-style artist/activist collective - an unhealthy mix of John Cage, Lenny Bruce, Pink Floyd, Bruce Connor, Firesign Theatre, Abbie Hoffman, Robert Rauschenberg, 1970's German electronic music, old school punk rock attitude, surrealist performance art, your high school science teacher…and lot's more.
    negativeland
  • a comprehensive internet and network research page -- existed from october 2, 2000 to november 13, 2003. still in use
    net wisschenschaft
  • NODE.London [Networked, Open, Distributed, Events. London] is committed to building the infrastructure and raising the visibility of media arts practice in London. Working on an open, collaborative basis, NODE.London will culminate in a month long season of media arts projects across London
    http://nodel.org/
  • This site charts the development of electronic musical instruments from 1870 to 1990. For the purposes of this project electronic musical instruments are defined as instruments that synthesise sounds from an electronic source. This definition leaves out a whole section of hybrid electronic instruments developed at the end of the last century that used electronics to manipulate or amplify sounds and tape recorders/ Musique Concrete, it has been decided to leave in some non electronic instruments such as the Futurists "Intonarumori" due to their importance in the history of modern music.
    120 years of electronic music
  • Oddmusic.com is for anyone interested in unique, unusual, ethnic, or experimental music and instruments. So whether you play stalagmites in a cave, the kaval, bow telegraph wires across the Nullarbor Plain, twist electrons by circuit bending, call whales on a Waterphone, or just love listening, this site is for you. Showcasing the sounds, music, and instruments of artists and artisans from around the globe. From gourd music to electronic odysseys, harp guitars to industrial insect metal, from the beautiful to the bizarre.
    oddmusic
  • 0kn0.org is a new interdisciplinary media center for art and technology in Brussels. 0kn0 supports the research, development, creation and presentation of new forms of innovative cultural production, and is dedicated to exposing broad and diverse audiences to new technologies and media arts through a programme of concerts, interactive installations, performances, workshops and lectures
    http://www.okno.be/
  • Opsound enjoys open-eared listening, including field recordings, ambiences, incomplete improvisations, monologues & dialogues, unfinished experiments, detached soundtracks, vocal solos, strange noises, bedroom laptop, microsound, generative, glitch dub, idm, minimal techno, blip hop, hip hop, turntablist, downtempo, uptempo, reggae, ragga, raga, roots, breakbeat, basement punk, garage band, indy, shoegazer, psychedelia, noise, song, be-bop, free jazz, modern composition, avant-anything, etc. Sound files can be complete pieces of music, or elements intended be combined into something new
    online experimental radio
  • PennSound is an ongoing project, committed to producing new audio recordings and preserving existing audio archives. We intend to provide as much documentation about individual recordings as possible; new bibliographic information will be added over time (please contact us if you can supplement the information already provided). As part of the PennSound project, the Schoenberg Center for Electronic Text & Image (SCETI) in collaboration with the Annenberg Rare Book and Manuscript Collection at the University of Pennsylvania is developing a sophisticated cataloguing tool for all our sound files; this should be available in about one year. Click on "search," in the header to any PennSound page, for a demonstration.
    pennsound
  • Perfect Sound Forever is an online music magazine, in 'business' since 1993. One of the oldest, longest running web-zines. Since they can't cover everything they invite online music fans to submit work for the magazine. Take a look through the contents to see what kind of material they use.
    perfect sound forever
  • free103point9 is a nonprofit arts organization focused on establishing and cultivating the genre Transmission Arts by promoting artists who explore ideas around transmission as a medium for creative expression.
    103point9. new york
  • Activists for a more democratic media have won a rare opportunity for your neighborhood to apply for an extremely valuable radio station, for free. 2006 Prometheus Radio Project | P.O. Box 42158 Philadelphia, PA 19101 | (215)727-9620 Joomla! is Free Software released under the GNU/GPL License. | Site design by Pink Slip Media
    prometheusradio
  • Radio Corax ist ein freies, nicht kommerzielles Lokalradio und sendet 24 Stunden täglich für Halle und Umgebung
    radio corax
  • program of UBU web - history of experimental radio
    radio radio
  • 26 days of live events broadcasted from De Appel Stichting April 1st - April 30th, 2005 Email contact: info@radiodays.org
    http://www.radiodays.org
  • radio online mixer,we spend much time to listen but we don't share our listenings. most of time, our preferred listenings at home are coming from cds, from radio or from mp3 players. we also browse among the multitude of the mp3 files on networks. these files are disseminated and only accessible each one by their own address. the role of these streamers which are available below is to gather playlists of these addresses to propose listenings. these playlists are bookmarks, kinds of small temporary radios. they will move continuously according to the availability of the linked files and new found listenings. each streamer proposes a visual mode (listening's saver or in background - daemon) and a "player" mode with an access to the corresponding playlist to control his/her own listening. these streamers are (composed) proposals for listenings, these listenings are memories whose streamers propose the share and the experiment of singular temporalities, individual and common.
    radiomixer
  • reboot.fm is a Berlin based open radio broadcasting on 104,1 for 100 days. It is a local and international peer to peer network of groups, individuals and non-commercial radios that combines good old radio and new open source software.
    http://www.reboot.fm/
  • The music of Seism ( anonymous) really speaks for itself. For those who know and love noise, there is no question that it is beautiful, glorious music. Hearing a strange noise in your dream means the unexpected and the unknown. You may be expressing some fear or confusion concerning a particular situation in your waking life. The noise in your dream may serve as a way to attract your attention to that issue.
    seism - noise
  • Sonic Arts Network is a national organisation working exclusively with sound and technology in creative, innovative and experimental ways. Every year we support British artists through a series of new commissions and by providing platforms for their work through performance and exhibition; we realise creative projects with people of all ages through educational workshops; and we build the profile of electronic music and sound art by bringing the best artists in the world to show their work to British audiences.
    sonicartsnetwork
  • site of Sound Departement of London C.C. Sound arts and design has its own culture, aesthetics and history from Futurist Luigi Russolo and his “noise” instruments to William Burroughs and his cut up text experiments from John Cage and his concept that all sound is music, to Bruce Naumann and his recent installation in the Tate Modern. It also shares culture and history with film, digital culture, music, fine art and radio.
    www.lcc.arts.ac.uk/
  • links to many great sites,Seth Cluett is a visual and sound artist whose work includes photography, drawing, sculpture, video, sound installation, and performance. He lives and works in Troy, NY.
    soundart
  • Strange Attractor celebrates unpopular culture. We declare war on mediocrity and a pox on the foot soldiers of stupidity. Join Us. Strange Attractor was co-founded in 2001 by: John Lundberg: john@strangeattractor.co.uk Mark Pilkington: mark@ strangeattractor.co.uk
    strangeattractor
  • center for electronic music in Moskva, tributed to Leon Teremin
    theremin center
  • kulturni týdeník A 2
    A2
  • los angles based sound art collective
    ultrared
  • french site a chronicle of electroacoustic and lo/fi experiments, vibro documents the growing presence of sound in the artworrld
    vibro
  • international cultural online magazine
    vulgo.net
  • WCSB 89.3 FM is the student-run radio station of Cleveland State University. We have been providing northeast Ohio with the finest alternative entertainment and information for over a quarter of a century. WCSB provides a truly unique listening experience. In a country rife with the corporatization of the public airwaves, we pride ourselves on our eclectic, quality broadcasting. Musically, WCSB's programming covers jazz, blues, noise, electronica, metal, folk, country, hip hop, garage, reggae, and indie rock just to name a few.
    WCBS
  • Get wierd with DJ Doktor Benway's schizo acid surf show
    weirdville
  • fre form radio NEW YORK
    wfmu
  • The station's programs combine talk and music shows hosted by contemporary writers, artists and musicians with rare historic material that includes the entire audio archive of the Museum of Modern Art. WPS1 will stream to listeners on the Internet only.
    http://www.wps1.org/
  • WXYC from Chapel Hill North Carolina (USA) s brand of freeform radio: its mission is to illustrate the relationships between seemingly disparate types of music. We believe that our free-format is the best way to accomplish this mission. The disc jockeys harness the almighty power of the segue to draw musical linkages across time, culture, and pure sound. For example, you might be humming along to the chorus of your favorite Jay-Z monster, only to hear it followed by the very Bobby "Blue" Bland mega-hit from the '70s from which the sample was lifted. Or in a more conceptual segue, a cut with a "bedroom vibe" off of jazz trumpeter Dave Douglas's new disc might successfully follow up a Stevie Wonder slow-jam because they share the same mood. A WXYC segue is a nod to the mutual inspirations that musical creations of dissimilar origins possess. Listen in and see if this author's conception doesn't make sense.
    WXYC
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